Saturday, October 26, 2013

Casting In Tarantino Films

Amongst the many things Tarantino films are known for, his casting choices are often a hot topic.

You know who'd be great in my next movie?  Me.

For instance, did you know Inglourious Basterds almost didn't get made because Tarantino could not find an actor to play Hans Landa?

At one point the role was offered to Leonardo DiCaprio, but he turned it down.

Tarantino then decided he needed to cast a Native German Speaker in the role.  And so started the hunt.

Despite how far along they were in pre-production, Tarantino was on the verge of putting the film aside when he could not find the right actor.

How much on the verge?

He had less than a month to cast it before the film reached the point of no-return, meaning he wouldn't be able to back out.

Enter Christoph Waltz

who after hundreds of actors were auditioned, came in during an open call and blew everyone away. 

They even made an action figure. Don't tell Al Sharpton.

Waltz went on to become the first actor in a Tarantino film to win an Academy Award.

Something DiCaprio took note of- making sure he played the villain in Tarantino's next film: Django Unchained.

Unfortunately, Waltz was also cast in Django Unchained.  And to rub more salt in the wound, he won another oscar for that role as well.

"Room Service for Mr. Waltz."

You know who else was suppose to be in Inglourious Basterds?

Adam Sandler.

Sandler was up for the role of Sgt. Donny Donowitz, which he turned down for the lead role in Judd Apatow's next movie.  Needless to say, Funny People (2009) not only underperformed with critics and the public, but Sandler has yet to return in a serious role. 

The Donowitz role ended up going to Eli Roth.

While you might not know the name Jonathan Loughran, he has appeared in two Tarantino films.

In Death Proof as Jasper and Kill Bill as the rapist when the Bride comes out of her coma.  Meaning he is possibly the same character in both films....  because let's be honest, Lee (Mary Elizabeth Winstead) is heavily implied she's getting raped while her friends are playing Ship's Mast.

Loughran is Adam Sandler's personal assistant, and is most recognized for his supporting roles in Sandler's comedies. 

Diane Kruger claims she nearly lost her role as Bridget Von Hammersmark because Tarantino again wanted to cast a Native German.

However it turned out Kruger was born Diane Heidkrüger in Algermissen, Germany.  That makes her pretty damn German; qualifying her to limp her "little ass up that rouge carpet"

Another Interesting anecdote about Inglourious Basterds and its casting is Michael Fassbender.

He plays Lt. Archie Hicox (most of these names are sex puns. Hi Cocks?  Hammer's Mark?  What's next?  A Von Shaft?), a British soldier who blows his cover because of his poor German accent and improper hand gesture.

What's Ironic about that?

Fassbender was born in Germany.

He also got Canadian comedian Mike Myers to play Basil Exposition.

A lot of this is well known.  Want an obscure one?

Did you know Kurt Cobain (from the band NIRVANA) was offered a role in Pulp Fiction?

That's right. Tarantino wanted Cobain to play Lance, the drug dealer.  Cobain turned it down, but was so flattered he gave Tarantino a special thanks in the booklet for In Utero.

Remember when you had to leave your house to steal music?

Speaking of Pulp Fiction, the role of Jules Winfield was written for Samuel L. Jackson (who was almost cast in Reservoir Dogs).  But Tarantino, as a matter of formality, held auditions to appease his producers. 

Enter Paul Calderon

Who gave such a great audition, Tarantino almost hired him on spot.  But after his Starbuck's high wore off, he decided to call Jackson and tell him the bad news:  You know that role I wrote for you and guaranteed was yours....  we need you to audition for it.

He had one chance, and Jackson came in firing on all cylinders. Unfortunately, he intimidated the man reading lines with him so bad -- the poor guy literally closed up: either forgetting what he was suppose to say or forgot to say anything at all.

Keep in mind,  he's holding the script in front of him!

Jackson left; deep down fearing he had the most disastrous audition of his career.

Obviously, we all know who won the part.

So what happened to Paul Calderon?

Believe it or not, he's in Pulp Fiction.

Tarantino cast him as Marcellus Wallace's Henchman/ Bartender English Bob.  Only in the film, he's not called English Bob anymore.  The character's name was changed to Paul.

It worked out for everyone.  Jackson became a superstar, and Paul..  well, he's Paul.

John Travolta was originally offered the role of Seth Gecko in From Dusk Till Dawn.  And after spending hours playing board games with Tarantino of movies/TV shows he appeared in (Tarantino gets his kicks in weird ways), Travolta turned it down.  

"I don't see a Look Who's Talking board game.  Do you?"

Travolta had no interest in doing a vampire movie; paving the way for George Clooney to star sans mullet.

However, Travolta was interested in this Vincent Vega character in Pulp Fiction.  Which Tarantino informed him was already cast with Daniel Day-Lewis.

And that was that.

Until a week later when Tarantino called offering Travolta the role that would revive his career.

I Drink Your Milkshake, Daniel.

And granted, it's one of those roles the actor was born to play.

Which can be said for many performances in a Tarantino film.

But one of the few I can't see another actor playing is Kurt Russell as Stuntman Mike in Death Proof.

Love the film or hate it, you can't deny Russell was pitch perfect.  He's equal parts charming, horrifying, and pathetic. 

Best Former Disney Child Actor Ever

BUT... Russell was not the original actor.

And the first actor would have given him a run for his money.

Stuntman Mike was suppose to be Mickey Rourke.  Then Tarantino and him clashed, which put all future collaborations in their grave.

Rourke is known for being difficult, pretty much sinking his career before Robert Rodriguez started using him in Once Upon A Time in Mexico (2003) and Sin City (2005).  It wasn't until Aronofsky's The Wrestler (2008) that Rourke returned to glory in the eyes of Hollywood.

Rourke was not the first actor Tarantino clashed with.

On Reservoir Dogs, Tarantino cast Lawrence Tierney as Joe Cabot.

For those who don't know, Tierney was Mickey Rourke before Mickey Rourke was born.  He never met a bridge he couldn't burn. There's a reason he only appeared on one episode of Seinfeld as Elaine's dad:  it involves using a knife to almost stab Jerry.

It's hard to find work when everyone is scared shitless to be around you.

Tarantino and Tierney nearly came to blows while shooting the iconic naming scene in Reservoir Dogs.  Tarantino walked off set, only to return later and finish shooting.

"What's it gonna be Mr. Pink?  My way or the.... or the...   Line! You motherfuckers!"

Chances are if Tarantino had the power, Tierney would have been fired like Rourke.  But on that film, Tarantino was a first time director.  His options were finish the film or go back to the video store.

Lord knows who would have replaced Tierney.

Perhaps Robert Forster-

who audition for the role of Joe Cabot.

Forster would later go on play Max Cherry in Jackie Brown (In fact, the only Oscar nomination Jackie Brown received was for Forster who lost to Robin Williams in Good Will Hunting.)

Eminem won an Oscar before Scorsese ever did. Oscars are Bullshit.

Probably the least well known of all the Reservoir Dogs is Mr. Blue played by Eddie Bunker.

Who is Eddie Bunker?

Edward Bunker, after spending many years in jail, achieved fame through his realistic crime novels including "No Beast So Fierce."  This novel was adapted in to the film Straight Time (1978) starring Dustin Hoffman.  He met Danny Trejo (of "Machete" fame and also a second cousin to director Robert Rodriguez) while in Folsom Prison. They worked together on Heat(1995) and Bunker was the basis of the Jon Voight Character. 

Always tipped a waitress, even if she didn't suck his dick.

How did an unknown, first time director get Harvey Keitel to star in his film?

If you're following this article- you guessed right:  there's a story behind that as well.

Tarantino had one producer on board, Lawrence Bender.

At the time, Bender had produced two films: Tale of Two Sisters(1989) based on the poems of actor Charlie Sheen and the supermarket slasher Intruder(1989).


Notice they didn't say from the director of Hostel 3

Bender was taking an acting class (he was at one point going to play Nice Guy Eddie).  His acting teacher asked who was their dream actor for the lead, and Bender mentioned him and Quentin always talked about Harvey Keitel.

So the acting teacher gave the script to his wife to read. The wife happened to be a member of the Actor's Studio, where she knew Harvey Keitel.  She passed on the script to Keitel, who loved it and immediately contacted Bender.

Keitel was not only interested in starring, but wanted to produce it as well.

Now that's some fortunate networking.

Keitel's involvement included two major decisions that changed the film:

1) Tarantino, who was a high school drop out with no film school education, was brought into the Sundance Director's lab and given a crash course in filmmaking.

At Sundance,  he was mentored by (amongst others) Terry Gilliam.



2)  Holding auditions in New York.

Keitel, a New York actor who was discovered by film student Martin Scorsese, was baffled that they were only holding auditions in California.  There was a whole pool of great actors they weren't tapping in to.

Bender had to explain that they just didn't have the money.

Which was an unacceptable answer.

Keitel paid out of his own pocket for the New York auditions, including flying out Bender and Tarantino and putting them up in hotels.  It was here they found Steve Buscemi and Tarantino met Samuel L. Jackson for the first time.



Martial Arts legend Gordon Liu shows up in Kill Bill volume 1 as Johnny Mo, the head of The Crazy 88, and also in volume 2 as Pai Mei.  But Liu was not the intended actor for this part.

Tarantino wanted to play the role of Pai Mei himself.  And had Tarantino played the character, he would not have spoken Mandarin, but been dubbed as an homage to 70's Kung Fu films (where the lips don't even try to match the words).

Happens everyday in China

The biggest change of actors in Kill Bill was for Bill himself.  David Carradine gives his last great performance, but he only got the role after Tarantino's first choice dropped out.

Who was the first choice?

Warren Beatty.

Warren Beatty: Kung Fu Villain

Beatty is known for his perfectionism, to say the least.  Which is why he really doesn't act much.  He became a superstar in 1967 from Bonnie and Clyde, and do you know how many films he's acted in since then?

14 films.  That's it. 

He hasn't acted since the catastrophic bomb Town and Country (2001), a romantic comedy that not only was filming for 3 years,  but ended up costing the studio well over $100 Million in losses.

It's odd that he chose to end his career with a flop, rather than capping it off as the lead antagonist in Kill Bill.

But obviously, Beatty does what Beatty wants to do.

Kill Bill would not be the last time a big named actor dropped out of the title role in one of his films.

Before Jamie Foxx was brought on, Will Smith was offered the role of Django.

Everyone wore Ray Bans during the Civil War.

When Smith first dropped out, he said:

"I came really close, it was one of the most amazing screenplays I had ever ever seen. I was in the middle of 'Men In Black 3' and [Tarantino] was ready to go, and I just couldn't sit with him and get through the issues, so I didn't want to hold him up." (From Empire interview)

But later on he revealed the real reason he left the project:  

“Django wasn’t the lead, so it was like, I need to be the lead.  The other character was the lead!  I was like, ‘No, Quentin, please, I need to kill the bad guy!" (From Entertainment Weekly interview)

Smith went on to make After Earth (2013), and Quentin hired Jamie Foxx.  

According to Tarantino, one of the main reasons he cast Foxx is because he's a real cowboy.  Seriously, he owns and lives on a ranch.  In fact, his horse in the film is his actual horse in real life.

He also came to the audition wearing this.

Django Unchained had a lot of casting turmoil during filming.

Joseph Gordon-Levitt dropped out of a cameo as one of the LeQuint Dickey Mining Co. employees because it conflicted with shooting his directorial debut Don Jon (2013).  Anthony LaPaglia also dropped out of the same scene.  In the end, Tarantino, Michael Parks, and John Jarratt (Wolf Creek) ended up filling in. 

Kevin Costner was hired to play Ace Woody in the film.  Costner dropped out "due to scheduling conflicts," so Tarantino brought on Kurt Russell.  Russell ended up leaving while they were in the middle of filming his scenes.

Two rumors surfaced about why Russell left.

One claimed he felt the film wasn't Western enough.  Which sounds really odd if its true.

The second was that he had to have surgery.  Russell was severely injured while filming 1998's Soldier.  Later he would say it made him realize he was getting too old to play action heroes.  It's an injury that still plagues him today. 

So who ended up playing Calvin Candy's right hand man Ace Woody?

No one.

The part was removed from the film.

Instead, Walton Goggins, who was playing Billy Crash, ended up absorbing the Ace Woody character.  This solved the problem of hiring another actor, and gave Goggins a bigger role in the final film.

"If Jamie left, I was going to absorb his role as well."

Ace Woody would not be the only character removed after an actor left.

Sacha Baron Cohen (Borat) secured the role of Scotty.  Scotty was a short, fat, mid-western slave owner.  It was a role that the extremely tall, very skinny, British comedian was born to play.

But with Cohen's departure, not only was the character dropped but Broomhilda's story explaining how she became the possession of Calvin Candy with it.  It's unfortunate that this subplot didn't make it into the final film; it would have made her a stronger character and less a damsel in distress.

Oddly enough, Tarantino claims his most personal film is True Romance- a film he wrote but didn't direct.  In True Romance, Christian Slater plays Clarence Worley.  Clarence's personality is clearly model after Tarantino himself.

Not only that but Tarantino played Clarence in his aborted first film, My Best Friend's Birthday-  a film that only has 40 minutes of existing footage (the rest of the footage was destroyed in a fire and Tarantino has since disowned it.)

My Best Friend's Birthday has other elements that show up in later Tarantino works.  For instance there's a fight with a pimp; in fact, it's a Kung Fu fight.  Clarence works at a radio station called K-Billy.  Tarantino, besides playing Clarence, also provides the voice of a caller to the station.  The caller's name:  Aldo Raines.  Aldo would later become Brad Pitt's character in Inglourious Basterds.

He also thought he was Elvis. And did a Golden Girls episode. 

Like Hitchcock, Tarantino has appeared in nearly all of his own films


In Reservoir Dogs as Mr. Brown

In Pulp Fiction as Jimmy Dimmick

In Four Rooms as Chester "The Man From Hollywood"

In From Dusk Till Dawn as Richard Gecko

In Jackie Brown he is the voice on Pam Grier's answering machine

In Kill Bill, he's a Crazy 88

In Grindhouse as The Rapist in Planet Terror and Warren in Death Proof

In Inglourious Basterds he's a Nazi being scalped and Soldier in the film Nation's Pride.

In Django Unchained as one of the LeQuint Dickey Mining Co. Employees




Trivia:

-Tom Sizemore has never appeared in a film directed by Tarantino.  However, he did appear in both True Romance (along with Chris Penn) and Natural Born Killers (as Scagnetti...  who is mentioned to be Mr. White's parole officer in Reservoir Dogs. In the same scene Mr. White mentions he use to work with Alabama:  Patricia Arquette's Character in True Romance. Patricia's sister, Rosanna Arquette, plays Lance's wife Jody in Pulp Fiction, and her brother Alex Arquette (now Alexis after gender reassignment) is also in Pulp Fiction.  He's the guy hiding in the bathroom with the gun "bigger than him.")

-Dick Miller filmed a cameo in Pulp Fiction as Monster Joe.  It can be seen as a deleted scene.

-According to Roger Avery, in the first draft for Pulp Fiction the briefcase contained diamonds.  Since it's essentially a McGuffin, they decided it was better to not have anything at all.  The glow that radiates out was devised by the props department during filming.

-At one point Monte Hellman was attached to direct Reservoir Dogs.  Tarantino was able to sell two scripts, True Romance and Natural Born Killers.  With the $300,000 he made from that, he decided to make the film guerilla style on his own.  Hellman encourage Tarantino to do so and kept his name attached to legitimize the project (Hellman is credit as an executive producer on the film).  Bender convinced Tarantino to give him a month to raise some more money, and it was during this month Keitel became involved.

-Following Reservoir Dogs and Pulp Fiction, Tarantino made money as an uncredited script doctor. Some of the films he worked on include Crimson Tide (1995)- a film directed by True Romance director Tony Scott.

-The Starbucks reference is a non sequitur referring to this video.  Enjoy:


Friday, September 13, 2013

Jason Lives: Friday the 13th Part VI (1986)


Directed by Tom McLoughlin
Screenplay by Tom McLoughlin
Produced by Don Behrns
Cinematography by Jon Kranhouse
Music by Harry Manfredini

Key Cast:
Thom Mathews as Tommy Jarvis
Jennifer Cooke as Megan Garris
David Kagen as Sheriff Michael Garris
Renée Jones as Sissy Baker
Kerry Noonan as Paula
Darcy DeMoss as Nikki
Tom Fridley as Cort
C.J. Graham as Jason Voorhees

Genre:  Horror/Thriller/Slasher/Comedy
Rated:  R (edited after receiving an X on first submission)
Runtime: 1 hr 26 min
Country:  USA
Working Title: Aladdin Sane
Budget:  $3,000,000
Gross: $18,964,000 (1996)
Opening Weekend:  $6,751,000
Released: August 1, 1986 
Filmed:  March - April 1986
Aspect Ratio: 1.85 : 1 

Taglines:  ... Nothing This Evil Ever Dies / Kill Or Be Killed 

"Don't I already have two of these?"
Plot:

A thunderstorm is brewing over the little town of Forest Green.

Superhuman serial killer Jason Voorhees has been dead and buried for six years. However, Tommy Jarvis, who killed Jason in self-defense when he was 12 years old, is still haunted by his encounter, resulting in his having been institutionalized for an extended period of time.

Intent on cremating Jason's body to rid himself of his demons, Tommy escapes the mental hospital with his friend, Hawes, and breaks into the cemetery containing Jason's grave. He and Hawes exhume Jason's casket, but before they can cremate the body, an infuriated Tommy begins stabbing it with a steel fence post. The post acts as a conductor for an ongoing lightning storm, and Jason is resurrected from the dead. He kills Hawes with a punch through the heart and throws his body into the exhumed coffin, prompting Tommy to flee the cemetery.

Tommy returns to the town of Crystal Lake, the site of Jason's killings, which has now been renamed Forest Green to distance itself from negative publicity. Tommy attempts to warn the town arrogant sheriff, Mike Garris, of Jason's return, but Garris, aware of Tommy's institutionalization, writes him off as disturbed and has him locked in a holding cell.

Meanwhile, Jason begins a trek back to the lake that was the site of his drowning as a child. En route, he encounters Lizabeth and Darren, a pair of summer camp supervisors, who are themselves headed to the lake to supervise the re-opening of the summer camp. Jason attacks and kills them, leaving their bodies in the woods.

The next morning, Sheriff Garris's daughter, Megan, who is slated to be one of the camp counselors, arrives with her fellow counselors Cort, Sissy, and Paula to report Lizabeth and Darren missing. Tommy cites their disappearance as evidence of Jason's return, but is met with hostility from everyone but Megan, who takes a liking to him. Sheriff Garris sends the counselors off to the campsite and then escorts Tommy out of town; en route, Tommy flees to the cemetery to try and show Garris the open grave, only to discover that the groundskeeper, fearful of being implicated for digging up the grave due to his alcoholism, has covered the grave (and, consequently, Hawes's body) with dirt. Garris handcuffs Tommy and takes him to the city limits, warning him not to return.

Meanwhile, a quintet of business people playing paintball in the woods are set upon by Jason, who kills them and steals their supplies. That night, Jason continues making his way back to Crystal Lake, in the process killing the grave digger and a nearby couple having a picnic. Cort meets up with a local girl, Nikki, and leaves the camp to have sex with her in the woods; they end up in Jason's path and are both killed by him.

"I swear, it wasn't me."


Sheriff Garris ultimately finds the bodies, and believes that Tommy has killed them, living out a delusion of Jason's return.

Tommy, meanwhile, has contacted Megan, having figured out a way to defeat Jason after having read books on monsters and folklore: He can be incapacitated by being trapped beneath the surface of the lake where he drowned. Megan attempts to bring Tommy back to the camp, but they are intercepted by one of Garris's roadblocks. Tommy is arrested and Megan is escorted back to the police station to await her father's return from the field. The police's attention on Tommy permits Jason to slip into the summer camp, where he kills Paula and Sissy, but refrains from harming any of the children.

Megan and Tommy escape the police station and make it to the lake, where the pursuing police are forced to acknowledge Jason's return when he attacks them. Garris and his deputies briefly incapacitate Jason by shooting him with high caliber weapons, but Jason ultimately recovers and kills them all. He then attempts to kill Megan, but is distracted by Tommy, who beckons to him from the lake. Seemingly remembering Tommy, Jason abandons Megan and wades out to the lake, where Tommy ambushes him with a chain attached to a large boulder. A fight ensues, during which both Tommy and Jason are knocked into the water; as Tommy attempts to swim to the surface, Jason pulls him underwater and he loses consciousness. Megan swims out to save Tommy and is likewise attacked by Jason, but finally incapacitates him by driving a motor boat propeller into his head.

Back on land, Megan revives Tommy with CPR and the children celebrate

The next day we find the lake is peaceful.  Jason drifts motionless underneath.

But his eye reveals he is still alive.

(Source: imdb.com:  by matt-282, alexcujo, with slight editions)
Worst.  Birthday.  Ever.


Review/Analysis:

Jason Lives:  Friday the 13th Part VI is one of the more underrated films in the series.  While not the best, you can tell the filmmakers wanted to make a good horror film that would both satisfy fans of the series and be a little smarter.  It wouldn't be until Jason X (2001) that the series would again use its awareness of the silly premise as a strength.

What makes it's meta-humor smart is that they know not to make fun of Jason.  This maintains his antagonism as a serious threat.  Victims might spot a horror cliche while it's happening but they won't mock the genre or the killer.

A little back story:

-Tommy Jarvis killed off Jason in Part IV- which was suppose to be "The Final Chapter."

-With that being a gigantic money maker, Part V: A New Beginning was quickly put into production.

-Tommy Jarvis was brought back again as a red herring (Part IV hinted Tommy could become Jason), but audiences were disappointed to find out Roy the ambulance driver was now the killer.

-Skip to Part VI:  Jason Lives, they decide to bring Jason back and who better to resurrect him than the boy who killed him.

One of the earliest meta-scenes is Jason's resurrection.  As a nod to the classic horror story Frankenstein, Tommy Jarvis gives life to his monster through lightning.


This scene ends with a parody of James Bond's iconic gun barrel opening.  Instead of Bond walking in and shooting at us, we jump cut 6x into Jason's eye- the pupil dilates, Jason walks in to slash at the screen.

Coming this Christmas:  Son of a Bond

It's a love it or hate it moment.  For me it works because it establishes that the film isn't taking itself as serious as Parts I and II.

The opening montage with lightning behind clouds, trees silhouetted by moonlight, and fog rolling off the lake effectively capture the mood of a horror film.  But the humor of the piece is harder to establish.  This James Bond parody, not being subtle in anyway, clues the audience in that Jason Lives is a playful movie.

So when Darren and Lizabeth stop short after almost running Jason over, it doesn't feel out of place when she says "I've seen enough horror movies to know any weirdo wearing a mask is never friendly."   

Or when Cort and Nikki can have this exchanged:

             Cort: Check this out.

             [Shows Nikki a shredded power cable]

             Nikki: What happened to it?

             Cort: I don't know, but I suggest if we don't want to look like it we make this place a
             memory right now.

             [Nikki looks at the cord a few seconds and follows Cort meeting him around the other side]

             Cort: Nikki, someone's out there. What if it's that guy, Jason?

Which is kind of nice because the victims aren't as oblivious like in most slasher films.  It's riffing the "investigating a strange noise outside" cliche, but here the character basically says "It's Jason.  No more investigating.  Let's get out of here."  It's almost refreshing... until they revert back for their death scenes.

And there's small things like this shot of a camper sleeping:

"Death Must Enter Life Only to Define it."- Sartre, No Exit

Or Lizabeth trying to buy Jason off before getting the fence post shoved down her throat which results in this:

She should know it's not accepted everywhere.
For literally 10 seconds it just floats there.

I always assumed they were being indolent with their product placement.  But it turns out director Tom McLoughlin put it in as a set-up for a punchline.  The shot is held long enough to allow someone in your audience to yell out "Don't leave home without it" and get a laugh in the theater.

There are three HUGE things that separate Jason Lives from all the other Friday the 13th movies.

1) Welcome To Camp....  Forest Green?

That's right.  Not Crystal Lake.  The reasoning behind this is that after Jason was killed (and after Roy's copy-cat killings, I assume.  They never bring up Part V ), the town decided to change it's name and insist that Jason was not real but a local legend. 

It's not a bad idea, but there's no payoff to it.

Everyone, even the kids, knows about Camp Blood.  They're not fooling anyone.  It would take a few decades for that plan to really pay-off.  Say after a hiatus- like tomorrow they decided to make a follow-up to Jason Takes Manhattan but set it in the present- this town idea might work. But in Jason Lives it makes no difference.  They could of called it Crystal Lake and it would change nothing. 

Not to mention, they just threw the camp sign into the lake:

No one will ever find it here.

2) The Only Friday the 13th With No Nudity

With 80's slasher films, you kind of expect tits. Besides the murder set pieces, tits are like the second reason you are watching these movies.  It's certainly not the story; half these films are the same basic premise and the other half don't even have a plot.

I actually did not notice this film's lack of nudity until it was pointed out to me.  Which says a lot.  To never once get bored enough to ask "when are we going to see some goods" indicates the film held my attention as a kid.

Although, I did see a lot of these slasher films for the first time on TV Shows like USA's Up All Night, so that could also be why it never stuck out, even when I finally bought the VHS.

The film does have one sex scene between Nikki and Cort-  


But the fact that they are clothed is the least odd thing about it

3) There Are Children At The Camp

Having kids in a horror film can be a bit taboo.  You can do anything you want to adults, but kill a dog or a child and usually the audience will turn on you.  Trick 'r Treat (2007) spent years sitting on a shelf because the studio feared a boycott.

Normally, This series got around it by saying the counselors are fixing up the camp before the kids arrive.

And there has been kids in the Friday the 13th films (the prologue in Part 1 for example) and Tommy Jarvis in Part IV (played by Corey Feldman), but this is the only one that has children staying in the camp while Jason is murdering counselors.

Don't worry, Jason Lives doesn't kill off any of them, but teases that it's coming and takes it to the point that all the counselors are dead, leaving Jason alone with the children.

There's one little girl who the filmmakers make stand out.  She has dreams of a monster before Jason arrives, she witnesses Jason carrying Sissy's headless body (come to think of it, where the hell was he taking that body?), and she finds Jason's bloody machete.  We're zeroed in on her out of all the other children.  So when Jason has run out of adults to kill and enters the cabin full of little girls, you know right away which little girl Jason is going to select- the one the filmmakers have made the audience develop feelings for.

"They're making these tramps smaller I see."

The violence in this series is not hardcore by today's standards, but back when it was released many found it to be shocking.  Gene Siskel in his review for Jason Lives called it "... the most offensive series in film history."  Which makes you wonder if he missed all those Naziploitation and Gialli films that were way more misogynistic than any Hollywood Slasher.  Siskel and Ebert even devoted an entire episode to shaming what they called Women in Danger Pictures- making sure to point out Halloween- which they raved about- didn't count because it's art.

Despite how tame most of these 80's slasher films seem by today's standards, almost all of them were cut to receive an R-rating.  Some have been restored; others like Jason Lives probably won't have that luxury.  It's audience is a niche-market despite being a popular series.  It's not cost effective for the studio to put the time and money into something that will sell the same amount of copies the way it is.

In the 80s, there was a cult of fear involving movies (it still exist today).  Someone does a horrible thing:

What music were they listening to?
What video games did they play?
What movie did they watch last?

Stuff that really won't cause a person to commit mass murder but provides an easy digestible answer for mass consumption.  And it gets legitimized by News stations to help their ratings and draw out the coverage whenever there's a school shooting.

In Britain they started banning films.  They even created a list called the Video Nasties.

Whereas in America, we trusted that if the MPAA passed it- it's safe.

In Jason Lives nearly every death is edited and changed in someway. But it wouldn't just affect the finished product.

Even before filming started, they would looked at the storyboards and make guesses about what wouldn't pass.  Nikki's death in the camper is a great example.  Originally Jason was going to rip her throat out.  Knowing the MPAA's reaction, Frank Mancuso Jr told the director to tone it down.

So instead he storyboarded this:


A much more cartoonish death, with Nikki's face getting pushed through the wall and making a perfect mold before the machete stabs through the forehead.

This, of course, becomes edited down further once the MPAA sees it to just this:


Sans machete.

It's lamentable that they did not bring back Tommy Jarvis in the next film. There's a Van Helsing vs. Dracula struggle that deserved to be capitalized on.

It's even more unfortunate in all three films Tommy Jarvis is played by a different actor; making the character have no clear identity.  Halloween has Laurie Strode(Jamie Lee Curtis),  A Nightmare on Elm Street has Nancy(Heather Langenkamp), but Friday the 13th's Tommy Jarvis calls to mind three faces.

It's hard to have a reoccurring character if no one knows what he's going to look like in the next film.

Jason Lives: Friday the 13th Part VI is a good, fun slasher film.  It has that mid-80s slasher quality: a mix of early 80's nihilistic violence as seen through the veil of the MTV generation. 

Damn it, VHS tape!  That's the ending!


Trivia

1) Body count: 18

2) In the script, Jason's father, Elias, makes an appearance visiting his son's grave.  It's the only time he's ever been mentioned in a Friday the 13th film.  Storyboards of it exist.

I don't always visit my son's grave, but when I do I don't buy flowers.

3) Alice Cooper did a tie-in song and music video called He's Back (The Man Behind The Mask).  ENJOY:



-Nicolas Edelbach

Saturday, September 7, 2013

Django Unchained: Who is the ancestor?



Tarantino confirmed in an interview that a minor character from Django Unchained is an ancestor of a character from one of his other films.

And most people think it's Koons because of a reddit post, but there is something wrong with this.

Reddit post proof:



First, Tarantino said it's a minor character in Django Unchained. Crazy Craig Koons isn't a character. He's a name on a flyer.

Second, the name next to his is someone named Nash. So why isn't he an ancestor to Marvin Nash from Reservoir Dogs?

Marvin Nash in Reservoir Dogs:


Same reason: he isn't a character.

Then there is Dr. King Schultz. He could be related to Paula Schultz- the grave from Kill Bill vol. 2.   But that doesn't work for two reasons 1) Paula Schultz wasn't a character, she was a name 2) Dr. King Schultz isn't a minor character. So Tarantino didn't mean him. 

Paula Schultz Grave in Kill Bill vol. 2:


(It's been pointed out that Paula Schultz most likely is Dr. King Schultz's dead wife.  Her tombstone has the dates 1823 to 1853 on it, meaning she died 5 years before Django Unchained takes place.)

The answer to the ancestor question should be obvious since he has appeared in almost all of Tarantino's films.

It's actor Michael Parks.

He is playing an ancestor to Texas Ranger Earl McGraw. While his character is unnamed in Django Unchained (A character "SO MINOR" he's just called The LeQuint Dickey Mining Co. Employee), he stands out. He is the only LeQuint Dickey Mining Co. Employee who doesn't have an Australian accent; he has a Texas one.

It might be overlooked because people don't realize Parks is doing a character. They aren't familiar with him in other roles and assume he's not acting. But he plays the The LeQuint Dickey Mining Co. Employee exactly how he would play the Texas Ranger, mannerisms and all.

Michael Parks in Django Unchained:


 Michael Parks as Texas Ranger Earl McGraw:



However, I think Koons, Nash, and Schultz can be considered links to others in the universe, but they aren't who Tarantino was talking about.

Trivia:

Tarantino has stated that Django and Broomhilda are ancestors to Shaft, hence Broomhilda's last name being Von Shaft.



-Nicolas Edelbach